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Photos © Jose Aragon
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BLIND SPOT
Blind Spot. Everyone has one. What's yours?

"After I had cut off my hands and grown new ones something my former hands had longed for came and asked to be rocked. After my plucked out eyes had withered, and new ones grown something my former eyes had wept for came asking to be pitied." Denise Levertov

Blind Spot draws an immensely complex landscape that people live in set against a world where there's still amazing beauty. There's a tension between those things, the ugliness of what people do to each other, and life's insistent ability to continue to show us horizons of hope that lead us forward even in spite of ourselves.

The work is concerned with the resurrection, recovery and renewal of the senses, the basic physical experiences by which we make sense of our world. It investigates the possibility of revealing old acts - sounds no longer heard, touches no longer felt - as new, tender, and infuriating. Working in a nonlinear fashion, the work presents us with four individuals awakening to their alienation-both from themselves and others. Having been divorced from their world by the daily numbing onslaught of media, violence, urban "noise" etc., Blind Spot asks what happens when the psyche rediscovers its physical form.

The work investigates the contemporary human condition by looking at a group of people severed from their world, their friends and lovers, their own bodies. The body is rediscovered with alternating wonder and fury, the dancers at times rejecting the pain inherent in vulnerability.
CREDITS:
Premiere: Chashama, New York City, September 2003
Revival premiere: Performance Space 122, New York City, June 2008
Approximate running time is 60 minutes.

Direction and Choreography: PAVEL ZUSTIAK
Performers: GINA BASHOUR, YOEL CASSELL, ASHLEIGH LEITE, ANTHONY WHITEHURST, ALBERTO DENIS (original cast)
Projection Design: JOSE ARAGON
Lighting Design: JOE LEVASSEUR, JOE DORAN (original version)
Set and Sound Design: PAVEL ZUSTIAK
Costume Design: NICK VAUGHAN
Music: YANN TIERSEN, STEPHEN POMPOUGNAC, TAIZE
Foyer Photography Installation: JOSE ARAGON
PRESS:
"In front of us are striving, sweating bodies, but beyond what they actually do lies another, more enigmatic kind of "doing." ... [Zustiak's] approach to movement is weighted, sensual, and loose-limbed. But fierce. ... Blind Spot casts a potent spell."
Deborah Jowitt, THE VILLAGE VOICE <read full review>

"...in its darkest, most uncomfortable moments, it gets under your skin, and needles. There is no way out of this sensual but oppressive 'Blind Spot.' Even if there were, its occupants wouldn't know where to look." Claudia La Rocco, THE NEW YORK TIMES <read full review>

"Pavel Zutiak's beautiful, elegant, sexy and winning full-length dance piece. There are points at which it nearly touches the sublime ... delicacy and elegance of Blind Spot ... it inspires as well as amazes." George Hunka, SUPERFLUITIES REDUX <read full review>

"Blind Spot is, at once, melancholy and manic, and if you have been sufficiently shaken, a sudden visual revelation at the very end might leave you close to tears." Eva Yaa Asantewaa, INFINITEBODY <read full review>

"I had a pure emotional experience without feeling manipulated."
Kelly Hayes, OFFOFFOFF.COM <read full review>

"... something new for the bored eyes of today's spectator. Even though some scenes could seem surprisingly long, it was great to observe even the smallest movement. That's because there is a big difference between watching dance and dance with meaning."
Paula Beranova, +96 HODIN <read full review>